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A Reggae Interpretation of Kind Of Blue (@secretstashrecs)

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www.secretstashrecords.com In the spring of 1981 a group of reggae studio musicians from Jamaica gathered in New York City under the direction of Jeremy Taylor, a music professor at NYU at that time. The result was this Reggae Interpretation of Kind of Blue. Though he was primarily regarded as a world-class Jazz musician and educator, Taylor had taken several trips to Jamaica to study reggae music with some of the best performers in the world. In his 1979 book, A Space Between Taylor wrote, My first trip to Jamaica (May 1977) was the most eye-opening musical experience of my life. I met so many incredible players who had been brushed off by the snobby musical establishment at institutions such as the ones I was affiliated with. They showed more musicality, taste, and rhythmic comprehension than some of the most revered musicians in the states. I knew that I had to find a way to showcase their unparalleled talent in a different medium in order for some of my colleagues to fully understand and learn from it. This statement served as the basic concept behind this album. Taylor took the most loved, well-known modern jazz album of all time and put it in the hands of reggae musicians. It was in this context that he felt his contemporaries would be able to fully understand what it was he saw in these players. Unfortunately, weeks after directing the sessions Taylor passed away in his Paris hotel room while on a speaking tour of Europe. A final mix of the album was never made and <b>...</b>

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